Raphael Cartoons
   HOME

TheInfoList



OR:

The Raphael Cartoons are seven large
cartoon A cartoon is a type of visual art that is typically drawn, frequently animated, in an unrealistic or semi-realistic style. The specific meaning has evolved over time, but the modern usage usually refers to either: an image or series of images ...
s for
tapestries Tapestry is a form of textile art, traditionally woven by hand on a loom. Tapestry is weft-faced weaving, in which all the warp threads are hidden in the completed work, unlike most woven textiles, where both the warp and the weft threads may ...
, belonging to the British
Royal Collection The Royal Collection of the British royal family is the largest private art collection in the world. Spread among 13 occupied and historic royal residences in the United Kingdom, the collection is owned by King Charles III and overseen by the ...
but since 1865 on loan to the
Victoria and Albert Museum The Victoria and Albert Museum (often abbreviated as the V&A) in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.27 million objects. It was founded in 1852 and nam ...
in London, designed by the
High Renaissance In art history, the High Renaissance was a short period of the most exceptional artistic production in the Italian states, particularly Rome, capital of the Papal States, and in Florence, during the Italian Renaissance. Most art historians stat ...
painter
Raphael Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. List of works by Raphael, His work is admired for its clarity of form, ease of ...
in 1515–16 and showing scenes from the
Gospel Gospel originally meant the Christian message ("the gospel"), but in the 2nd century it came to be used also for the books in which the message was set out. In this sense a gospel can be defined as a loose-knit, episodic narrative of the words an ...
s and
Acts of the Apostles The Acts of the Apostles ( grc-koi, Πράξεις Ἀποστόλων, ''Práxeis Apostólōn''; la, Actūs Apostolōrum) is the fifth book of the New Testament; it tells of the founding of the Christian Church and the spread of its messag ...
. They are the only surviving members of a set of ten cartoons commissioned by Pope
Leo X Pope Leo X ( it, Leone X; born Giovanni di Lorenzo de' Medici, 11 December 14751 December 1521) was head of the Catholic Church and ruler of the Papal States from 9 March 1513 to his death in December 1521. Born into the prominent political an ...
for the Sistine Chapel tapestries for the
Sistine Chapel The Sistine Chapel (; la, Sacellum Sixtinum; it, Cappella Sistina ) is a chapel in the Apostolic Palace, the official residence of the pope in Vatican City. Originally known as the ''Cappella Magna'' ('Great Chapel'), the chapel takes its name ...
in the
Vatican Palace The Apostolic Palace ( la, Palatium Apostolicum; it, Palazzo Apostolico) is the official residence of the pope, the head of the Catholic Church, located in Vatican City. It is also known as the Papal Palace, the Palace of the Vatican and the V ...
, which are still (on special occasions) hung below
Michelangelo Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was insp ...
's famous
ceiling A ceiling is an overhead interior surface that covers the upper limits of a room. It is not generally considered a structural element, but a finished surface concealing the underside of the roof structure or the floor of a story above. Ceilings ...
. Reproduced in the form of
prints In molecular biology, the PRINTS database is a collection of so-called "fingerprints": it provides both a detailed annotation resource for protein families, and a diagnostic tool for newly determined sequences. A fingerprint is a group of conserve ...
, the tapestries rivalled Michelangelo's ceiling as the most famous and influential designs of the
Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas ...
, and were well known to all artists of the Renaissance and
Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...
. Admiration of them reached its highest pitch in the 18th and 19th centuries; they were described as "the Parthenon sculptures of modern art".


Commission and the tapestries

Raphael – whom Michelangelo greatly disliked – was highly conscious that his work would be seen beside the Sistine Chapel ceiling, which had been finished only two years before, and took great care perfecting his designs, which are among his largest and most complicated. Originally the set was intended to include 16 tapestries. Raphael was paid twice by Leo, in June 1515 and December 1516, the last payment apparently being upon completion of the work. Tapestries retained their Late Gothic prestige during the Renaissance. Most of the expense was in the manufacture: although the creation of the tapestries in Brussels cost 15,000
ducat The ducat () coin was used as a trade coin in Europe from the later Middle Ages from the 13th to 19th centuries. Its most familiar version, the gold ducat or sequin containing around of 98.6% fine gold, originated in Venice in 1284 and gained wi ...
s, Raphael was paid only 1,000. The tapestries were made with both gold and silver thread; some were later burnt by soldiers in the
Sack of Rome in 1527 The Sack of Rome, then part of the Papal States, followed the capture of the city on 6 May 1527 by the mutinous troops of Charles V, Holy Roman Emperor during the War of the League of Cognac. Despite not being ordered to storm the city, wit ...
to extract the precious metals. The first delivery was in 1517, and seven were displayed in the Chapel for
Christmas Day Christmas is an annual festival commemorating the birth of Jesus Christ, observed primarily on December 25 as a religious and cultural celebration among billions of people around the world. A feast central to the Christian liturgical year, ...
in 1519 (then as now, their display was reserved for special occasions). The cartoons are painted in a glue distemper medium on many sheets of paper glued together (as can be seen in the full-size illustrations); they are now mounted on a
canvas Canvas is an extremely durable plain-woven fabric used for making sails, tents, marquees, backpacks, shelters, as a support for oil painting and for other items for which sturdiness is required, as well as in such fashion objects as handbags ...
backing. They are all slightly over 3 m (3 yd) tall, and from 3 to 5 m (3 to 5 yd) wide; the figures are therefore over-lifesize. Although some colours have faded, they are in general in very good condition. The tapestries are mirror-images of the cartoons, as they were worked from behind; Raphael's consciousness of this in his designs appears to be intermittent. Raphael's workshop would have assisted in their completion; they were finished with great care, and actually show a much more subtle range of colouring than was capable of being reproduced in a tapestry. Some small preparatory drawings also survive: one for ''The Conversion of the Proconsul'' is also in the Royal Collection, and the
Getty Museum The J. Paul Getty Museum, commonly referred to as the Getty, is an art museum in Los Angeles, California housed on two campuses: the Getty Center and Getty Villa. The Getty Center is located in the Brentwood neighborhood of Los Angeles and fe ...
in Malibu has a figure study of ''St Paul Rending His Garments''. There would have been other drawings for all the subjects, which have been lost; it was from these that the first prints were made. The seven cartoons were probably completed in 1516 and were then sent to
Brussels Brussels (french: Bruxelles or ; nl, Brussel ), officially the Brussels-Capital Region (All text and all but one graphic show the English name as Brussels-Capital Region.) (french: link=no, Région de Bruxelles-Capitale; nl, link=no, Bruss ...
, where the Vatican tapestries were woven by the workshop of Pieter van Aelst. This set was partly destroyed in the Sack of Rome in 1528, but the
Vatican Museums The Vatican Museums ( it, Musei Vaticani; la, Musea Vaticana) are the public museums of the Vatican City. They display works from the immense collection amassed by the Catholic Church and the papacy throughout the centuries, including several of ...
have acquired tapestries and recreated sections to complete a full set, now usually displayed in a gallery, but sometimes moved to the Sistine Chapel for special occasions. They were displayed in the chapel for a week in February 2020, to mark the 500th anniversary of Raphael's death. Their layout around the chapel is a matter of discussion among scholars, as there is no record of what was originally intended. The tapestries had very wide and elaborate borders, also designed by Raphael, which these cartoons omit; presumably they had their own cartoons. Some of the side borders are separate pieces. The borders included ornamentation in an imitation of
Ancient Roman In modern historiography, ancient Rome refers to Roman civilisation from the founding of the city of Rome in the 8th century BC to the collapse of the Western Roman Empire in the 5th century AD. It encompasses the Roman Kingdom (753–509 BC ...
relief sculpture and carved porphyry, as well as scenes from the life of Leo. They were themselves very influential, and sometimes used for other tapestries. Raphael knew that the final product of his work would be produced by craftsmen rendering his design in another medium; his efforts are therefore entirely concentrated on strong compositions and broad effects, rather than felicitous handling or detail. It was partly this that made the designs so effective in reduced print versions. The Raphael of the cartoons was revered by
The Carracci The Carracci ( , , ) were a Bolognese family of artists that played an instrumental role in bringing forth the Baroque style in painting. Brothers Annibale (1560–1609) and Agostino (1557–1602) along with their cousin Ludovico (1555–161 ...
, but the great period of their influence began with
Nicolas Poussin Nicolas Poussin (, , ; June 1594 – 19 November 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a ...
, who borrowed heavily from them and "indeed exaggerated Raphael's style; or rather concentrated it, for he was working on a much smaller scale". Thereafter they remained the touchstone of one approach to
history painting History painting is a genre in painting defined by its subject matter rather than any artistic style or specific period. History paintings depict a moment in a narrative story, most often (but not exclusively) Greek and Roman mythology and Bible ...
until at least the early 19th century – the Raphael whose influence the Pre-Raphaelites wanted to reject was perhaps above all the Raphael of the cartoons.


Subjects

The Raphael Cartoons represent scenes from the lives of Saints
Peter Peter may refer to: People * List of people named Peter, a list of people and fictional characters with the given name * Peter (given name) ** Saint Peter (died 60s), apostle of Jesus, leader of the early Christian Church * Peter (surname), a sur ...
and
Paul Paul may refer to: *Paul (given name), a given name (includes a list of people with that name) *Paul (surname), a list of people People Christianity *Paul the Apostle (AD c.5–c.64/65), also known as Saul of Tarsus or Saint Paul, early Chris ...
. As was usual, the completed tapestries reverse are a mirror image of the cartoon designs. The programme emphasised a number of points relevant to contemporary controversies in the period just before the
Protestant Reformation The Reformation (alternatively named the Protestant Reformation or the European Reformation) was a major movement within Western Christianity in 16th-century Europe that posed a religious and political challenge to the Catholic Church and in ...
, but especially the entrusting of the Church to
Saint Peter Saint Peter; he, שמעון בר יונה, Šimʿōn bar Yōnāh; ar, سِمعَان بُطرُس, translit=Simʿa̅n Buṭrus; grc-gre, Πέτρος, Petros; cop, Ⲡⲉⲧⲣⲟⲥ, Petros; lat, Petrus; ar, شمعون الصفـا, Sham'un ...
, the founder of the
papacy The pope ( la, papa, from el, πάππας, translit=pappas, 'father'), also known as supreme pontiff ( or ), Roman pontiff () or sovereign pontiff, is the bishop of Rome (or historically the patriarch of Rome), head of the worldwide Cathol ...
. There were relatively few precedents for these subjects, so Raphael was less constrained by traditional iconographic expectations than he would have been with a series on the life of Christ or Mary. He no doubt received some advice or instructions in choosing the scenes to depict. The scenes from the ''Life of Peter'' were designed to hang below the
fresco Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaste ...
es of the ''Life of Christ'' by
Perugino Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. Ear ...
and others in the middle register of the Chapel; opposite them, the ''Life of Saint Paul'' was to hang below the ''Life of
Moses Moses hbo, מֹשֶׁה, Mōše; also known as Moshe or Moshe Rabbeinu (Mishnaic Hebrew: מֹשֶׁה רַבֵּינוּ, ); syr, ܡܘܫܐ, Mūše; ar, موسى, Mūsā; grc, Mωϋσῆς, Mōÿsēs () is considered the most important pro ...
'' in fresco. An intervening small
frieze In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor ...
showed subjects from the life of Leo, also designed to complement the other series. Each sequence begins at the
altar An altar is a table or platform for the presentation of religious offerings, for sacrifices, or for other ritualistic purposes. Altars are found at shrines, temples, churches, and other places of worship. They are used particularly in paga ...
wall, with the ''Life of Peter'' on the right side of the Chapel and ''Life of Paul'' on the left. Including the three subjects with no surviving cartoons, the set contains (the full scriptural quotations and a commentary are on the V&A website):


Life of Peter

*''The Miraculous Draught of Fishes'' (Luke 5:1–11) *''Christ's Charge to Peter'' (Matthew 16:16–19) The key moment in the Gospels for the claims of the Papacy *''The Healing of the Lame Man'' (Acts 3:1–8) *''The Death of Ananias'' (Acts 5:1–10)


Life of Paul

*''The Stoning of St Stephen'' (no cartoon) at which Paul (Saul) was present before his conversion. *''The Conversion of Saint Paul'' (no cartoon) *''The Conversion of the Proconsul'' or ''The Blinding of Elymas'' (Acts 13:6–12). Paul had been invited to preach to the Roman
proconsul A proconsul was an official of ancient Rome who acted on behalf of a consul. A proconsul was typically a former consul. The term is also used in recent history for officials with delegated authority. In the Roman Republic, military command, or ' ...
of
Paphos Paphos ( el, Πάφος ; tr, Baf) is a coastal city in southwest Cyprus and the capital of Paphos District. In classical antiquity, two locations were called Paphos: Old Paphos, today known as Kouklia, and New Paphos. The current city of Pap ...
,
Sergius Paulus Lucius Sergius Paulus or Paullus was a Proconsul of Cyprus under Claudius (1st century AD). He appears in Acts 13:6-12, where in Paphos, Paul, accompanied by Barnabas and John Mark, overcame the attempts of Bar-Jesus ( Elymas) "to turn the procons ...
, but is heckled by Elymas, a "
magus Magi (; singular magus ; from Latin ''magus'', cf. fa, مغ ) were priests in Zoroastrianism and the earlier religions of the western Iranians. The earliest known use of the word ''magi'' is in the trilingual inscription written by Darius the ...
", whom Paul miraculously causes to go temporarily blind, thus converting the proconsul. *''The Sacrifice at Lystra'' (Acts 14:8). After Paul miraculously cures a cripple, the people of Lystra see him and his companion
Barnabas Barnabas (; arc, ܒܪܢܒܐ; grc, Βαρνάβας), born Joseph () or Joses (), was according to tradition an early Christian, one of the prominent Christian disciples in Jerusalem. According to Acts 4:36, Barnabas was a Cypriot Jew. Name ...
(both standing left) as gods, and want to make a sacrifice to them. Paul tears his garments in disgust, whilst Barnabas speaks to the crowd, persuading the young man at centre to restrain the man with the sacrificial axe. *''St Paul in prison'' (no cartoon), much smaller than the others, tall and narrow. This is also missing from the later tapestry sets. *''St Paul Preaching in Athens'' (Acts 17:16–34), the figure standing at the left in a red cap is a portrait of Leo; next to him is
Janus Lascaris Janus Lascaris (, ''Ianos Laskaris''; c. 1445, Constantinople – 7 December 1535, Rome), also called John Rhyndacenus (from Rhyndacus, a country town in Asia Minor), was a noted Greek scholar in the Renaissance. Biography After the Fall of Con ...
, a Greek scholar in Rome. The kneeling couple at the right were probably added by
Giulio Romano Giulio Romano (, ; – 1 November 1546), is the acquired name of Giulio Pippi, who was an Italian painter and architect. He was a pupil of Raphael, and his stylistic deviations from High Renaissance classicism help define the sixteenth-centu ...
, then an assistant to Raphael. ;The subjects missing from the cartoon set File:La lapidazione di S. Stefano.jpg, ''Stoning of Saint Stephen'', Mantua File:Arazzi di raffaello, 06.JPG, ''Conversion of Saint Paul'', Vatican File:Arazzo di raffaello, san paolo in carcere.jpg, ''St Paul in prison'', Vatican


Tapestry Descriptions


The Miraculous Draught of Fishes (Luke 5:1–11)

This cartoon depicts Christ telling Peter and the Apostles where to cast their net. This resulted in the “miraculous catch.” Within the design, Peter is pictured bowing before Christ as if thanking him for the harvest full bounty that was caught. Raphael’s exquisite attention to details are shown in this tapestry in how there is a mirror image of the artwork reflected in the water. There is a great use of foreshortening.  His use of perspective in the distant background is used effectively. Raphael demonstrates an excellent use of tones in the forefront of the image.


Christ's Charge to Peter (Matthew 16:16–19)

Within this tapestry Raphael combines the two Bible stories of Matthew 16:18–19. Raphael portrays Christ commanding Peter to share the Gospel for him. Christ points at Peter while simultaneously pointing at the sheep. This creates a connection for Peter. He is chosen as the shepherd for the believers. Raphael utilizes foreshortening to help viewers focus on the main images and message of the cartoon. He effortlessly implements chiaroscuro. The use of colors to show different lighting illustrates where the sun is in relation to the characters.


The Healing of the Lame Man (Acts 3:1–8)

The incredible story of Peter healing the lame man, Acts 3:1–8 is a tapestry within Raphael’s Cartoon collection. This miracle illustrates the “spiritual healing of Jesus." Pictured is the lame man sitting and leaning against an intricately detailed column with his arm reaching overhead for Peter to cradle his hand. Raphael’s attention to detail is displayed in the lame man’s face. The shadowing and tones used create the look of an aged, tired man. The wrinkles in his face and his eyes display the pain he is feeling. The lines used in the creation of his legs and feet define muscular legs and impaired feet. All of this artistic detail reinforces the fact that the lame man spent many years lying and crawling on the ground impaired by his handicap. In contrast, Peter stands clutching his hand while praying over him. The details in Peter’s face and expression reinforce his concern. The rendering of the clothing is exceptional. It gives the appearance of creased material that can be felt. Furthermore, the detail of each individual’s hair enables the viewer to detect exactly how their hair would appear in person.


The Death of Ananias (Acts 5:1–10)

Raphael’s tapestry expertly illustrates the story of Acts 5:1–10. This could also be named the miracles of Peter. This artwork explains the story of how Peter is capable of punishing and saving others. The Apostles requested that the Christian followers sell their items and tithe the money. During this, Ananias steals from the church by stealing some of the money. When questioned by Peter, Ananias denies any wrong doing. Ananias drops dead. He was punished for his sins of stealing and lying. Raphael once again applies the skill of chiaroscuro to illustrate this tapestry. His use of tones and shading help place lighting and shadows to specific areas of this artwork. The use of implied lines is demonstrated with the man standing over Ananias pointing to another individual who is pointing up, as if he is pointing to God. This implies that God can help him. The group of men on the right appears concerned with Ananias and wants to help. On the other hand, the men to the left seem frightened.


The Conversion of the Proconsul (Acts 13:6–12)

This tapestry depicts the story written in Acts 13:6–12. Elymas tries to keep Paul and Barnabas from converting others to Christianity. Elymas suffers temporary blindness for this action. Observing and experiencing this event, leads the proconsul to conversion. Paul’s overall goal to convert others to Christianity is illustrated through this tapestry. Raphael utilizes tone and shading to convey different levels of light. He has created a different colored robe for each man. This helps them stand out from the crowd.  The different amounts of coating, creates texture throughout the tapestry and images appear more lifelike.


The Sacrifice at Lystra (Acts 14:8)

Acts 14:8 influenced this tapestry. It represents the story of how Paul and Barnabas were mistaken for the Gods, Mercury and Jupiter, after Paul healed a lame man. The townspeople of Lystra wanted to offer sacrifices to them. Paul was dismayed and proceeded to convince the crowd that they were God’s messengers. The foremost character in this scene is a citizen ready to partake in the sacrifice. He wields an axe above his head ready to execute the ox. Raphael’s focus on this man’s face expresses his determination in the situation. Raphael’s use of line, shading and toning reveal his muscular form.


St Paul Preaching at Athens (Acts 17:16–34)

This tapestry illustrates the story written in Acts 17:16–34. It illustrates Paul preaching to Athens’s judicial council. Paul explains Christianity and the importance of knowing God. The viewer can feel Paul’s excitement of sharing his message. His arms are stretched out to the crowd, grabbing their attention and welcoming them into the message. Raphael’s detail on each individual’s face easily reveals their thoughts and feelings regarding Paul. Paul’s clothing and the council’s clothing include brightly colored robes gracefully wrapped around them. The lines, colors and shading used on the ground give the appearance of a cold marble floor.


Further sets made in Brussels

Cartoons were sometimes returned with tapestries to the commissioner, but this clearly did not happen here, perhaps because of the death of Leo. This allowed four other recorded sets to be made later in Brussels, all of nine tapestries, missing the small ''Saint Paul in Prison''. One set was bought by
Henry VIII of England Henry VIII (28 June 149128 January 1547) was King of England from 22 April 1509 until his death in 1547. Henry is best known for his six marriages, and for his efforts to have his first marriage (to Catherine of Aragon) annulled. His disa ...
in 1542. These tapestries were at
Westminster Abbey Westminster Abbey, formally titled the Collegiate Church of Saint Peter at Westminster, is an historic, mainly Gothic church in the City of Westminster, London, England, just to the west of the Palace of Westminster. It is one of the United ...
for the
coronation of Elizabeth I The coronation of Elizabeth I as Queen of England and Ireland took place at Westminster Abbey, London, on 15 January 1559. Elizabeth I had ascended the throne at the age of 25 upon the death of her half-sister, Mary I, on 17 November 1558. Mary ...
, and on 14 February 1613 to decorate the chapel of
Whitehall Palace The Palace of Whitehall (also spelt White Hall) at Westminster was the main residence of the English monarchs from 1530 until 1698, when most of its structures, except notably Inigo Jones's Banqueting House of 1622, were destroyed by fire. Hen ...
for the
wedding of Princess Elizabeth and Frederick V of the Palatinate The wedding of Princess Elizabeth (1596–1662), daughter of James VI and I, and Frederick V of the Palatinate (1596–1632) was celebrated in London in February 1613. There were fireworks, masques (small, choreography-based plays), tournam ...
. After being sold in 1649 in the dispersion of the collection of
Charles I of England Charles I (19 November 1600 – 30 January 1649) was King of England, Scotland, and Ireland from 27 March 1625 until Execution of Charles I, his execution in 1649. He was born into the House of Stuart as the second son of King James VI of ...
, eventually Henry's set ended up in Berlin, where it was destroyed by a fire at the end of World War II. King
Francis I of France Francis I (french: François Ier; frm, Francoys; 12 September 1494 – 31 March 1547) was King of France from 1515 until his death in 1547. He was the son of Charles, Count of Angoulême, and Louise of Savoy. He succeeded his first cousin once ...
had another of similar date, now lost. The
Ducal Palace, Mantua The Palazzo Ducale di Mantova ("Ducal Palace") is a group of buildings in Mantua, Lombardy, northern Italy, built between the 14th and the 17th century mainly by the noble family of Gonzaga as their royal residence in the capital of their Duch ...
has a set, made in Brussels for Cardinal
Ercole Gonzaga Ercole Gonzaga (23 November 1505 – 2 March 1563) was an Italian Cardinal (Catholicism), Cardinal. Biography Born in Mantua, he was the son of the Marquis Francesco II Gonzaga, Marquis of Mantua, Francesco Gonzaga and Isabella d'Este, and nephe ...
in the early 16th century, with the arms of Gonzaga in the borders. Dussler describes these as "in better condition than the series in the Vatican". A set woven around 1550 that joined the
Spanish royal collection The Spanish royal collection of art was almost entirely built up by the monarchs of the Habsburg family who ruled Spain from 1516 to 1700, and then the Bourbons (1700–1868, with a brief interruption). They included a number of kings with a seri ...
some time in the following decades now belongs to the
Patrimonio Nacional Patrimonio Nacional ( en, National Heritage) is a Spanish autonomous agency, under the jurisdiction of the Ministry of the Presidency, that administers the sites owned by the Spanish State and used by the Monarch and the Spanish Royal Fami ...
, and is usually hung in the
Royal Palace, Madrid The Royal Palace of Madrid ( es, Palacio Real de Madrid) is the official residence of the Spanish royal family at the city of Madrid, although now used only for state ceremonies. The palace has of floor space and contains 3,418 rooms. It is the ...
.


In England

The seven cartoons now in London were bought from a Genoese collection in 1623 by King
Charles I of England Charles I (19 November 1600 – 30 January 1649) was King of England, Scotland, and Ireland from 27 March 1625 until Execution of Charles I, his execution in 1649. He was born into the House of Stuart as the second son of King James VI of ...
, then still
Prince of Wales Prince of Wales ( cy, Tywysog Cymru, ; la, Princeps Cambriae/Walliae) is a title traditionally given to the heir apparent to the English and later British throne. Prior to the conquest by Edward I in the 13th century, it was used by the rulers ...
, using agents. He only paid £300 for them, a price that suggests they were regarded as working designs rather than works of art in their own right. Charles had in fact intended to make further tapestries from them at the
Mortlake Tapestry Works The Mortlake Tapestry Works was established alongside the River Thames at Mortlake, then outside, but now on the edge of west London, in 1619 by Sir Francis Crane. It produced lighter, if vastly more expensive, decoration for rooms than the pre ...
near London, which he did, with new baroque borders by their designer Francis Cleyn, paying £500 each, but was well aware of their artistic significance. They had been cut into long vertical strips a yard wide, as was required for use on low-warp tapestry looms, and were only permanently rejoined in the 1690s at
Hampton Court Hampton Court Palace is a Grade I listed royal palace in the London Borough of Richmond upon Thames, southwest and upstream of central London on the River Thames. The building of the palace began in 1514 for Cardinal Thomas Wolsey, the chief ...
. In Charles' day these were stored in wooden boxes in the
Banqueting House, Whitehall The Banqueting House, Whitehall, is the grandest and best known survivor of the architectural genre of banqueting houses, constructed for elaborate entertaining. It is the only remaining component of the Palace of Whitehall, the residence of E ...
. They were one of the few items in the
Royal Collection The Royal Collection of the British royal family is the largest private art collection in the world. Spread among 13 occupied and historic royal residences in the United Kingdom, the collection is owned by King Charles III and overseen by the ...
withheld from sale by
Oliver Cromwell Oliver Cromwell (25 April 15993 September 1658) was an English politician and military officer who is widely regarded as one of the most important statesmen in English history. He came to prominence during the 1639 to 1651 Wars of the Three Ki ...
after Charles'
execution Capital punishment, also known as the death penalty, is the State (polity), state-sanctioned practice of deliberately killing a person as a punishment for an actual or supposed crime, usually following an authorized, rule-governed process to ...
. The fate of the other three cartoons from the set is unknown; that for the ''Conversion of Saint Paul'' was recorded in the collection of Cardinal Grimani in
Venice Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400  ...
in 1521, and of his heir in 1526. William III commissioned
Sir Christopher Wren Sir Christopher Wren PRS FRS (; – ) was one of the most highly acclaimed English architects in history, as well as an anatomist, astronomer, geometer, and mathematician-physicist. He was accorded responsibility for rebuilding 52 churches ...
and William Talman to design the "Cartoon Gallery" at
Hampton Court Palace Hampton Court Palace is a Grade I listed royal palace in the London Borough of Richmond upon Thames, southwest and upstream of central London on the River Thames. The building of the palace began in 1514 for Cardinal Thomas Wolsey, the chie ...
in 1699, specially to contain them. By this date, the prestige of tapestries in general was beginning to wane, and those of the early sets that had survived were probably already rather faded and dirty. From this point on, the cartoons became regarded as the most authentic and attractive expression of Raphael's conceptions. European taste had also moved in their favour; their dignified classicism was very much in tune with a movement away from the more frenzied versions of the
Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...
. The fame of the cartoons, as opposed to the designs in general, grew rapidly. In 1763, when
George III George III (George William Frederick; 4 June 173829 January 1820) was King of Great Britain and of Ireland from 25 October 1760 until the union of the two kingdoms on 1 January 1801, after which he was King of the United Kingdom of Great Br ...
moved them to the newly bought Buckingham House (now
Buckingham Palace Buckingham Palace () is a London royal residence and the administrative headquarters of the monarch of the United Kingdom. Located in the City of Westminster, the palace is often at the centre of state occasions and royal hospitality. It ...
) there were protests in
Parliament In modern politics, and history, a parliament is a legislative body of government. Generally, a modern parliament has three functions: Representation (politics), representing the Election#Suffrage, electorate, making laws, and overseeing ...
by
John Wilkes John Wilkes (17 October 1725 – 26 December 1797) was an English radical journalist and politician, as well as a magistrate, essayist and soldier. He was first elected a Member of Parliament in 1757. In the Middlesex election dispute, he fo ...
and others, as they would no longer be accessible to the public (Hampton Court had long been open to visitors). They had been greatly studied by artists and cognoscenti alike whilst at Hampton Court, and played a crucial role in forming English expectations of a monumental style of painting; one of the great preoccupations of English art in the 18th century. These were often mentioned in the ''Discourses'' of Sir
Joshua Reynolds Sir Joshua Reynolds (16 July 1723 – 23 February 1792) was an English painter, specialising in portraits. John Russell said he was one of the major European painters of the 18th century. He promoted the "Grand Style" in painting which depend ...
, the dominant English critical work on art of the century. Having explained that "The principal works of modern art are in fresco" he specifically adds the cartoons "which, though not strictly to be called fresco, yet may be put under that denomination" before claiming that "Raffaelle ... stands in general foremost of the first painters..." (i.e. the best painters) and comparing Raphael's works in oil unfavourably to his frescoes. In 1804 they were returned to Hampton Court, where in 1858 they were photographed for the first time by Charles Thompson Thurston, having been taken out into the courtyard and placed upside down on special scaffolding. In 1865 Queen
Victoria Victoria most commonly refers to: * Victoria (Australia), a state of the Commonwealth of Australia * Victoria, British Columbia, provincial capital of British Columbia, Canada * Victoria (mythology), Roman goddess of Victory * Victoria, Seychelle ...
decided that the cartoons should be exhibited on loan at the
Victoria and Albert Museum The Victoria and Albert Museum (often abbreviated as the V&A) in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.27 million objects. It was founded in 1852 and nam ...
in London, where they are still to be seen in a specially designed gallery. There are also copies at many locations, including
Knole House Knole () is a country house and former archbishop's palace owned by the National Trust. It is situated within Knole Park, a park located immediately to the south-east of Sevenoaks in west Kent. The house ranks in the top five of England's larg ...
and Hampton Court Palace, where the copies painted in the 1690s by an artist named Henry Cooke are displayed in the Cartoon Gallery. The Royal Collection also has a set of the tapestries. A set of copies painted by
Sir James Thornhill Sir James Thornhill (25 July 1675 or 1676 – 4 May 1734) was an English painter of historical subjects working in the Italian baroque tradition. He was responsible for some large-scale schemes of murals, including the "Painted Hall" at the Ro ...
have been owned by
Columbia University Columbia University (also known as Columbia, and officially as Columbia University in the City of New York) is a private research university in New York City. Established in 1754 as King's College on the grounds of Trinity Church in Manhatt ...
since 1959, and another is in the
Royal Academy The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its pur ...
. Several other sets were made in Mortlake; Cleyn had made copies of the designs, and these were used. Charles I's set was bought by
Cardinal Mazarin Cardinal Jules Mazarin (, also , , ; 14 July 1602 – 9 March 1661), born Giulio Raimondo Mazzarino () or Mazarini, was an Italian cardinal, diplomat and politician who served as the chief minister to the Kings of France Louis XIII and Louis X ...
, and now belongs to the French government.
Forde Abbey Forde Abbey is a privately owned former Cistercian monastery in Dorset, England, with a postal address in Chard, Somerset. The house and gardens are run as a tourist attraction while the estate is farmed to provide additional revenue. Forde Abbe ...
,
Chatsworth House Chatsworth House is a stately home in the Derbyshire Dales, north-east of Bakewell and west of Chesterfield, Derbyshire, Chesterfield, England. The seat of the Duke of Devonshire, it has belonged to the House of Cavendish, Cavendish family sin ...
, the
Duke of Buccleuch Duke of Buccleuch (pronounced ), formerly also spelt Duke of Buccleugh, is a title in the Peerage of Scotland created twice on 20 April 1663, first for James Scott, 1st Duke of Monmouth and second suo jure for his wife Anne Scott, 4th Cou ...
and others have sets. A set of six tapestries is now in the
Gemäldegalerie Alte Meister The Gemäldegalerie Alte Meister (, ''Old Masters Gallery'') in Dresden, Germany, displays around 750 paintings from the 15th to the 18th centuries. It includes major Italian Renaissance works as well as Dutch and Flemish paintings. Outstand ...
in
Dresden Dresden (, ; Upper Saxon: ''Dräsdn''; wen, label=Upper Sorbian, Drježdźany) is the capital city of the German state of Saxony and its second most populous city, after Leipzig. It is the 12th most populous city of Germany, the fourth larg ...
, and the
Ducal Palace, Urbino The Ducal Palace ( it, Palazzo Ducale) is a Renaissance building in the Italian city of Urbino in the Marche. One of the most important monuments in Italy, it is listed as UNESCO World Heritage Site since 1998. History The construction of the ...
displays a set.


Prints after the designs

In the early 16th century many Italian artists learnt the lesson of the huge, and very rapid, international prestige that
Albrecht Dürer Albrecht Dürer (; ; hu, Ajtósi Adalbert; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer (without an umlaut) or Due ...
had gained through his
prints In molecular biology, the PRINTS database is a collection of so-called "fingerprints": it provides both a detailed annotation resource for protein families, and a diagnostic tool for newly determined sequences. A fingerprint is a group of conserve ...
, and set out to emulate him. Raphael had no knowledge of
printmaking Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed techniq ...
himself, and was probably too busy to want to learn the techniques, but he was the most successful of the Italians in spreading his fame through prints, through his much debated relationship with the engraver
Marcantonio Raimondi Marcantonio Raimondi, often called simply Marcantonio (c. 1470/82 – c. 1534), was an Italian engraver, known for being the first important printmaker whose body of work consists largely of prints copying paintings. He is therefore a key figu ...
and his workshop. Raphael made many drawings solely as designs for prints, and the workshop made a large number of prints, apparently working always from drawings rather than the finished work, of Raphael's paintings in the Vatican and elsewhere; the tapestry designs were no exception. These prints themselves were very widely copied by other printmakers, and spread rapidly through Europe. The earliest datable print after one of the designs is an engraving of 1516 by
Agostino Veneziano Agostino Veneziano ("Venetian Agostino"), whose real name was Agostino de' Musi (c. 1490 – c. 1540), was an important and prolific Italian engraver of the Renaissance. Life Veneziano was born in Venice, where he trained as an artist, though ...
, then working in the workshop of Marcantonio Raimondi, of the ''Death of Ananias''. This was probably made even before that tapestry was woven. The composition is in the same direction as the tapestry, but since the
printmaking Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed techniq ...
process would also reverse the direction of the composition, this almost certainly means it was deliberately reversed compared to the detailed preparatory drawing in the Royal Collection on which it was based (see above; the two agree in all details), probably by taking a counterprint from the
chalk Chalk is a soft, white, porous, sedimentary carbonate rock. It is a form of limestone composed of the mineral calcite and originally formed deep under the sea by the compression of microscopic plankton that had settled to the sea floor. Chalk ...
drawing. All Raimondi and Veneziano's prints of Raphael's designs in Raphael's lifetime were based on drawings, according to both Landau and Pons. Raimondi himself engraved one of the set, which were presumably all produced around 1516, so that even many in the Roman art world may have seen prints of the designs before they saw the tapestries themselves. Agostino's engraving was rapidly copied in another well-known version, a four-colour
chiaroscuro woodcut Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that ...
by
Ugo da Carpi Ugo da Carpi ( – ) was an Italian printmaker active between 1502 and 1532 in the cities of Venice, Rome and Bologna. He is known for his technical and stylistic contributions to the chiaroscuro woodcut, a printmaking technique using bloc ...
, dated 1518. The da Carpi woodcut is often cited in studies of the complex question of early image copyright, as it bears (in its first
state State may refer to: Arts, entertainment, and media Literature * ''State Magazine'', a monthly magazine published by the U.S. Department of State * ''The State'' (newspaper), a daily newspaper in Columbia, South Carolina, United States * ''Our S ...
) a Latin inscription beneath the image claiming "copyright"-style privileges from both the
Venetian Republic The Republic of Venice ( vec, Repùblega de Venèsia) or Venetian Republic ( vec, Repùblega Vèneta, links=no), traditionally known as La Serenissima ( en, Most Serene Republic of Venice, italics=yes; vec, Serenìsima Repùblega de Venèsia, ...
and the Papacy (covering the
Papal States The Papal States ( ; it, Stato Pontificio, ), officially the State of the Church ( it, Stato della Chiesa, ; la, Status Ecclesiasticus;), were a series of territories in the Italian Peninsula under the direct sovereign rule of the pope fro ...
) and threatening
excommunication Excommunication is an institutional act of religious censure used to end or at least regulate the communion of a member of a congregation with other members of the religious institution who are in normal communion with each other. The purpose ...
for anyone breaching the latter. Apart from other straightforward copies of the prints from the Raimondi set,
Parmigianino Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, Bo ...
did a typically individual print version of one design from the set in about 1530. A later large set of
engraving Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a Burin (engraving), burin. The result may be a decorated object in itself, as when silver, gold, steel, or Glass engraving, glass ...
s by Matthaeus Merian the Elder illustrating the Bible, from around the end of the century, used some of the compositions, slightly increasing the height, and elaborating them. These were much used and copied in popular books, further widening the knowledge of the designs to a much larger audience. After the cartoons were reassembled at the end of the 17th century, by which time printmakers were well accustomed to copying direct from large paintings, they became the dominant source of new print copies. By the 18th century many different print versions were in circulation, of varying faithfulness and quality.


Notes


References


Citations


Bibliography

Cartoons *Dussler, Luitpold, ''Raphael, A Critical Catalogue of his Pictures, Wall-Paintings & Tapestries''
online section on the cartoons and tapestries
* * Prints * *


Further reading

* *Browne, Clare; Evans, Mark, eds. (2010). ''Raphael: Cartoons and Tapestries for the Sistine Chapel''. Victoria and Albert Museum. . *Campbell, Thomas P. (2002). ''Tapestry in the Renaissance: Art and Magnificence''. New York: Metropolitan Museum of Art. . . *Fermor, Sharon (1996). ''The Raphael Tapestry Cartoons: Narrative, Decoration, Design''. London: Scala Books / Victoria & Albert Museum. . * * Pope-Hennessy, John (1950). ''The Raphael Cartoons''. London. . *Shearman, John (1972). ''Raphael's Cartoons in the Collection of Her Majesty the Queen and the Tapestries for the Sistine Chapel''. Oxford: Clarendon. . *


External links


Raphael Cartoons Royal Collection Web Exhibition

Raphael Cartoons at the V&A
{{Tapestry Paintings by Raphael Paintings in the Royal Collection of the United Kingdom Sistine Chapel wall frescoes Tapestry cartoons 1516 paintings Paintings in the collection of the Victoria and Albert Museum Paul the Apostle in art Paintings depicting Jesus Birds in art Cattle in art Fish in art Sheep in art Paintings depicting Saint Peter Nude art